My Journey to Silk Scarves
As an architect, creativity has always been at the heart of my work. Architecture is a deeply rewarding profession, but it’s also all-consuming. For years, I felt a growing urge to create something personal—something artistic, outside the confines of building codes and client briefs.
Then, in February 2020, everything changed. As the world slowed down during the Covid lockdowns, I suddenly found myself with time—an unfamiliar and slightly uncomfortable luxury after years of nonstop work. To fill the stillness, I turned to painting. I found comfort in creating intricate, detailed artwork, not unlike the precision drawings I once did as an architect.
But I wanted more than just painting I wanted to create something beautiful and functional, something that could be shared and enjoyed by others. That’s when the idea of silk scarves emerged.
I’ve always loved to travel, but I’ve struggled to find high-quality Australian gifts that are both practical and beautiful. Scarves struck the perfect balance. They’re lightweight, easy to pack, and endlessly versatile—an elegant accessory that can add colour, warmth, modesty, or protection from the weather. Beyond fashion, they also stand alone as framed artworks.
The first scarf paintings took me seven to eight weeks each, working full days through lockdown. I poured everything into them—my architectural eye, my love of detail, and my desire to create something lasting.
Having spent my career designing everything from stained glass windows to carpets and joinery, turning these paintings into finished products came naturally. It’s incredibly rewarding to see my art transform into something people can wear, gift, or display in their homes.
What started as a response to stillness has become a new chapter, one that weaves creativity, utility, and beauty into every piece.